The Broadcast Deck | 12-Channel ATEM & vMix Live Production Switcher

Risparmia 20%
East Supplier PlatformSKU:1005005292580673-China Mainland

Prezzo:
$1,904.54 $2,380.68

Tasse incluse spese di spedizione calcolata al pagamento

Disponibilità:
Disponibile

Descrizione

Twelve Cameras. One Frame. No Second Chances.

Live production is the only kind of editing that cannot be undone. There is no timeline to slide back along, no render to repeat, no colour pass to rescue a decision made badly two seconds ago. The director sits at the centre of a small storm of signals and does one thing over and over: choose which truth the audience sees next. Everything else — the cables, the cameras, the graphics, the audio — exists to keep that choice clean. A switcher is therefore not a peripheral. It is the instrument of decision, and its latency, its layout and its reliability are the director's reflexes.

This ATEM and vMix compatible switcher is built as a fully embedded system rather than a computer running software. Director switching, audio adjustment and effects live in one integrated panel, with an all-aluminium anodized body that survives being rigged, struck and rigged again. In ATEM mode it handles the conventional 8-channel program and 8-channel preview workflow — with 8 video inputs plus one colour and one media player — while other live software can switch up to twelve channels on the same hardware. The brand-new ATEM upgrade layer adds quick access to the functions operators actually reach for mid-show: S/SRC, MACRO, AUX and M/E, plus custom function keys that can be programmed and fired as one action when the show moves faster than the hands.

Audio is not bolted on. Built-in custom audio control covers Audio, XLR, MIC and MP routing, so levels can be trimmed without leaving the panel. Tally is handled properly, with a DP25 interface supporting up to twenty-four tally outputs for multi-camera studios. Connection is deliberately simple: a drive-free USB 2.0 link and a 100M LAN port with PoE 802.3af, which means video reaches a computer and production software without a capture card in the chain. An OLED panel reports device parameters at a glance, and the anodized aluminium face keeps the control surface legible under stage lighting. Transitions cover MIX, DIP, WIPE, STING and DVE, with auto transitions, hard cuts and a proper T-Bar where the operator wants manual timing.

A cut is a sentence. This is the pen you write the show with.


Key Features

  • ✦ Up to 12 channels of live switching — ATEM mode runs 8ch PGM + 8ch PVW
  • ✦ 8 video inputs plus 1 colour channel and 1 media player input
  • ✦ Full transition set: MIX, DIP, WIPE, STING and DVE with T-Bar, auto and hard cut
  • ✦ Four upstream keyers (BKGD / KEY1 / KEY2 / KEY3 / KEY4) for layered compositing
  • ✦ Dedicated ATEM function keys — S/SRC, MACRO, AUX, M/E — with custom function combinations
  • ✦ Built-in custom audio control for Audio, XLR, MIC and MP routing
  • ✦ 24-channel tally output through the built-in DP25 interface
  • ✦ Drive-free USB 2.0 and 100M LAN with PoE 802.3af — no capture card required
  • ✦ All-aluminium anodized body with OLED parameter display and PGM/PVW indicator lights

Technical Specifications

  • Product Type: Embedded video switcher for ATEM and vMix live production software
  • Switching Capacity: Up to 12 channels (ATEM mode: 8ch PGM + 8ch PVW)
  • Video Inputs: 8ch inputs + 1ch colour + 1ch media player
  • Transition Control: Auto transitions, hard cuts and manual T-Bar
  • Transition Effects: MIX / DIP / WIPE / STING / DVE
  • Upstream Keyers: BKGD / KEY1 / KEY2 / KEY3 / KEY4
  • Picture-in-Picture: R1 / R2 / R3 / R4 (vMix control)
  • Tally Output: DP25 interface, up to 24 tally channels
  • Connection: 100M LAN with PoE 802.3af plus drive-free USB 2.0
  • Display: OLED parameter screen with PGM and PVW indicator lights
  • Chassis: Anodized aluminium alloy panel and body

Where This Tool Belongs

This switcher belongs wherever more than one camera has to feed a live audience. Houses of worship use it for multi-camera services with lyric and scripture graphics; esports and gaming channels use it for player-cam switching with PiP layouts built on the R1-R4 controls. Corporate AV teams use it for conference streams, town halls and hybrid events where a presenter camera, a slide feed and a wide shot must be cut cleanly for an audience that is partly remote. Education, sport, auctions and small broadcast studios value the twenty-four-channel tally support because camera operators need to know when they are live without a shout. Because the box speaks both ATEM and vMix conventions, it fits a workflow that already has software licensing in place and simply needs a physical control surface with real keys, a real T-Bar and no operating system to update ten minutes before air.

Frequently Asked Questions

Q: Is this a Blackmagic ATEM unit?

No. It is a third-party, ATEM-compatible switcher panel built for ATEM and vMix software workflows. It is not a Blackmagic Design product, and ATEM compatibility here refers to protocol and workflow compatibility, not brand affiliation.

Q: Does it work without a computer?

The switcher is an embedded system that handles switching, audio and effects internally, but it is designed to sit alongside ATEM or vMix software workflows over LAN or USB. Check your intended software workflow before purchase.

Q: How many cameras can I cut between?

In ATEM mode the panel supports the conventional 8-channel program and 8-channel preview workflow with 8 video inputs plus colour and media player channels. Other live production software can switch up to twelve channels on the same hardware.

Q: Do I need a capture card?

No. Video is carried to the computer and production software over the drive-free USB 2.0 link or the 100M LAN connection. Note that ATEM workflows use the LAN connection.

Q: Can camera operators see when they are live?

Yes. The unit includes a DP25 tally interface supporting up to twenty-four tally outputs, which is enough for a full multi-camera studio with redundancy to spare.

Q: Is the body rugged enough for touring?

The chassis is anodized aluminium alloy with an OLED display and dedicated indicator lights. It is built as rack-friendly production hardware rather than a consumer desk device, though it should still be transported in a case like any switcher.

Customer Reviews

Customer Reviews

Based on 3 reviews
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M
Mila K.
Solid unit, the software pairing takes some reading

The aluminium body is genuinely rugged and the OLED readout is useful mid-show. Pairing with our switching software took some time with the documentation, but once configured the panel has been rock solid for two months.

T
Tobias N.
No capture card, no drama

Connected over LAN to our production software and switched eight inputs on the first evening. The built-in audio control saved us adding an external mixer for microphone and program levels.

G
Grace H.
The T-Bar feels like real hardware

Running four cameras for a weekly livestream and the manual T-Bar makes transitions look intentional rather than clicky. The custom function keys are the feature I did not know I needed, and the tally outputs covered our whole camera team.

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