Descrizione
Light is not decoration. It is architecture that happens to move. A stage looks large or small, expensive or cheap, alive or flat, depending on where the beams land and how fast they get there. The fixture that decides most of those questions is the moving head, because it is the only light on the rig that can change its mind in the middle of a song. Everything else holds a position and waits.
The Prism Engine carries seven 40W RGBW four-in-one LEDs behind a zoom system that runs from a tight three-degree beam out to a sixty-degree wash. That single range covers the two jobs that normally require two different fixtures. Snap it narrow and it cuts smoke into razor lines for an entrance. Open it wide and it paints a stage floor evenly for a chorus. Pan is 540 degrees and tilt is 270 degrees, so the rig can address the full room rather than the slice directly in front of the truss, and colour temperature is adjustable from 2800K to 8500K for productions that care about matching a camera rather than a mood board.
Control is where the fixture earns its place on a professional desk. It speaks DMX512 across 23, 35 or 51 channels depending on how much detail the operator wants in the show file, and it will also run sound-active, automatic or master-slave if there is no desk on site at all. Strobe runs from a slow pulse up to 25 flashes per second with a random fast mode for club work. Running on 90 to 240 volts AC at 350 watts, it travels between countries without a transformer, and at 7.5 kilograms net it can be hung, focused and struck by one technician on a ladder.
You are not buying a lamp. You are buying a moving set piece that never leaves the stage.
Key Features
- ✦ Seven 40W RGBW four-in-one LEDs in a single moving head chassis
- ✦ Hybrid output: tight 3-degree beam through a 60-degree wash from one zoom system
- ✦ 540-degree pan and 270-degree tilt for full-room coverage
- ✦ DMX512 control across 23, 35 or 51 channel modes
- ✦ Sound-active, automatic and master-slave modes for desk-free operation
- ✦ Strobe from a slow pulse to 25 flashes per second, plus random fast strobe
- ✦ Adjustable colour temperature from 2800K to 8500K, 90-240V AC input at 350W
- ✦ 7.5kg net weight, hangable and focusable by a single technician
Technical Specifications
- LED: 7 x 40W RGBW 4-in-1 LEDs
- Model Number: 7X40WEYE
- Power: 350W
- Voltage: AC 90-240V, 50/60Hz
- Channel Modes: 23ch / 35ch / 51ch
- Control Modes: DMX512, sound-active, auto run, master-slave
- Colour Temperature: 2800K - 8500K
- Beam Angle: 3 - 60 degrees (zoom)
- Pan / Tilt: 540 degrees horizontal, 270 degrees vertical
- Strobe: 0 - 25 flashes per second, random fast strobe function
- Protection Rating: IP20 (indoor use)
- Net Weight: 7.5 kg
- Package Weight: 8 kg
- Luminous Flux Range: 2000 - 82000
- Item Type: Stage Lighting Effect, professional stage and DJ
Where It Belongs
Nightclubs and live houses hang it over the dance floor, where the zoom lets one fixture alternate between beam sweeps and wide colour washes without dragging a second unit up the truss. Rental houses stock it because 23-channel mode is quick to patch for one-off shows while 51-channel mode satisfies an operator who wants individual control of every pixel ring. Houses of worship use it for services that need soft colour on the stage floor and a hard beam for the moment the band lifts. Mobile DJs run it in sound-active mode and skip the desk entirely. If your work involves putting light in a specific place at a specific second, this housing was designed for you. For outdoor or damp venues, note the IP20 rating and keep it under cover.
Frequently Asked Questions
Q: What is the difference between beam and wash output?
The zoom angle. At the narrow end, near three degrees, the output behaves like a beam fixture, producing a defined column of light that reads strongly through haze. At the wide end, up to sixty degrees, the same LEDs behave like a wash, covering a broad area evenly. Because the Prism Engine zooms continuously between the two, one fixture covers both roles on the same rig.
Q: How many DMX channels do I need to patch?
The fixture offers 23, 35 and 51 channel modes. Use 23 channels when the show file is large and the rig is dense, and step up to 51 when you want granular control of individual effects. The mode is selected on the fixture itself, and your console profile must match the mode you choose.
Q: Can it run without a lighting console?
Yes. It also operates in sound-active mode, automatic mode and master-slave mode, where one fixture acts as the master and the rest follow. That is the usual setup for a mobile DJ working from a laptop or no controller at all.
Q: Is it suitable for outdoor events?
The protection rating is IP20, which means it is intended for indoor use in dry environments. For marquees and covered stages it is fine, but it is not a weatherproof fixture and should not be left exposed to rain or heavy moisture.
Q: How heavy is it, and can one person hang it?
Net weight is 7.5 kilograms, with a package weight of 8 kilograms. That is a one-person lift on a ladder, which matters when you are striking a rig at two in the morning without a crew.
Q: What kind of power do I need at the rig?
The fixture runs on 90 to 240 volts AC and draws 350 watts, so standard venue power is sufficient and no external transformer is needed for international touring.
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