説明
The Viewfinder Tells You What the Camera Sees. A Field Monitor Tells You What the Audience Will See. Those are not the same thing, and the gap between them is where footage gets ruined. A 3-inch panel on the back of a camera cannot resolve focus at the edge of a frame, cannot show you that a sky is clipping two stops past recovery, and cannot be seen by a director standing two metres away. Every one of those failures is discovered in post, which is the most expensive place to discover anything.
The FW703 is a 7-inch IPS panel at 1920 x 1200 with a pixel density of 323 PPI and 16.7 million colours at 8-bit. Brightness is 450cd/m2 with a 1200 to 1 contrast ratio and an LED backlight, and the 16 to 10 aspect ratio gives slightly more vertical real estate than a 16 to 9 screen of the same width. Colour is calibrated to the Rec.709 HD standard at the factory with professional instrumentation, so what you approve on set is what the grade will roughly respect. A 160 degree viewing angle means the operator can shift position without the image washing out, which is the failure mode of cheap panels on a busy set.
Inputs and outputs are broadcast-grade rather than adapted from consumer ports. 3G-SDI and 4K HDMI are both provided as input and as loop-out, so the signal can be displayed and simultaneously passed to a second monitor or a recorder. SDI handles everything up to 1080p at 60Hz and HDMI accepts up to 4K UHD 3840 x 2160 at 30Hz and 4096 x 2160 at 24Hz. Audio is available through a stereo headphone jack and a built-in speaker, and monitoring tools include focus assist, false colour, exposure, embedded audio and the F1 and F2 programmable shortcut keys. Power consumption is under 9W from a DC input between 6.5 and 24 volts, with an F970 battery plate fitted as standard and D28S, D54, LP-E6 and U60 plates available as options. The chassis is 22mm thick, weighs 320g, and mounts on a 1/4 inch-20 thread.
You do not need a bigger picture. You need the picture to be true.
Key Features
- ✦ 7-inch IPS panel at 1920 x 1200, 323 PPI, 16.7 million colours at 8-bit
- ✦ 450cd/m2 brightness with 1200 to 1 contrast and LED backlighting
- ✦ Rec.709 HD colour calibration performed at the factory with professional instruments
- ✦ 3G-SDI and 4K HDMI as both input and loop-out for simultaneous second-monitor output
- ✦ Signal support to 1080p60 over SDI and 4K UHD 3840x2160 at 30Hz over HDMI
- ✦ Focus assist, false colour, exposure and embedded audio via F1 and F2 shortcut keys
- ✦ Under 9W consumption from a 6.5-24V DC input, with F970 plate fitted as standard
- ✦ 22mm thick and 320g, mounting on a standard 1/4 inch-20 thread
Technical Specifications
- Screen size and type: 7 inch IPS
- Resolution: 1920 x 1200 pixels, 323 PPI
- Display colours: 16.7M at 8-bit
- Aspect ratio: 16 to 10
- Brightness: 450 cd/m2
- Contrast ratio: 1200 to 1
- Backlight: LED
- Viewing angle: 160 degrees, 80 degrees left, right, up and down
- Pixel pitch: 0.07875 x 0.07875 mm
- Colour standard: Rec.709 HD, factory calibrated with professional instrumentation
- Inputs: 3G-SDI and HDMI
- Outputs: 3G-SDI and HDMI loop-out
- Audio: Stereo headphone jack and built-in speaker
- SDI formats: 480i, 576i, 720p to 60Hz, 1080i to 60Hz, 1080p to 60Hz including 24 and 23.98
- HDMI formats: Up to 4K UHD 3840x2160 at 30Hz and 4096x2160 at 24Hz
- Power consumption: 9W or less
- Input voltage: DC 6.5 to 24V
- Battery plate: F970 standard; D28S, D54, LP-E6 and U60 optional
- Operating temperature: Minus 20 degrees C to 55 degrees C
- Storage temperature: Minus 30 degrees C to 65 degrees C
- Mounting: 1/4 inch-20 thread socket, bottom
- Dimensions and weight: 180 x 120 x 22 mm, 320g, or 350g with F970 battery plate
- Certification: CE and RoHS
- Languages supported: Japanese, French, German, Italian, Spanish, Russian, English, Korean, simplified Chinese
Where It Belongs
This monitor belongs on a camera that shoots for someone else. A single operator filming a personal project can often live with the camera screen, but the moment a client, a director or a focus puller needs to see the frame, a 7-inch calibrated panel stops being optional. It suits documentary and interview work where a director monitors over the operator shoulder, corporate and commercial shoots where the client is standing on set, and live or multi-camera setups where the SDI loop-out feeds a second position or a recorder without a splitter. Owner operators on mirrorless and DSLR bodies are the other core user, because the loop-out and the battery plate options let the same monitor move between a Sony, Nikon or Canon body without re-buying accessories. The 22mm profile and 320g weight matter for gimbal and handheld work, where a heavy monitor changes the balance of the whole rig.
Frequently Asked Questions
Q: What is the difference between SDI and HDMI on this monitor?
Both are available as input and as loop-out. SDI is the broadcast-standard connection and carries up to 1080p at 60Hz, which is what professional cameras and switchers use. HDMI accepts up to 4K UHD at 30Hz and 4096 x 2160 at 24Hz, which covers mirrorless and DSLR bodies. Having both means the monitor does not need adapters on either type of camera.
Q: What does the loop-out actually let me do?
It passes the signal through, so the image can be displayed on this monitor and simultaneously sent on to a second monitor or a recorder. That removes the need for a separate distribution amplifier on many two-position setups.
Q: Do the batteries come with it?
No. The F970 battery plate is fitted as standard and D28S, D54, LP-E6 and U60 plates are available as options, so the monitor accepts the common camcorder and DSLR battery families, but the batteries themselves are supplied separately.
Q: How bright is it in daylight?
Brightness is 450cd/m2 with a 1200 to 1 contrast ratio on an LED backlit IPS panel. That is sufficient for shaded and overcast exterior work and for interior sets. In direct midday sun a hood or a sunshade is worth carrying, as it is with any on-camera monitor in this class.
Q: Can I power it from the camera rig rather than a battery?
Yes. The DC input accepts 6.5 to 24 volts and consumption is under 9W, so a wide range of rig power supplies and battery plates will run it. A dedicated 1/4 inch-20 socket on the bottom attaches it to a cage, arm or bracket.
Q: What monitoring tools are built in?
Focus assist, false colour, exposure and embedded audio are exposed through the F1 and F2 programmable shortcut keys, alongside the standard image adjustments. The factory Rec.709 calibration is what makes those tools trustworthy rather than approximate.
The EastSupplier Promise
Every unit is inspected before it leaves the warehouse. If a specification on this page does not match what arrives, we cover the return shipping and replace it. English-language support answers within one business day, and replacement parts for this category are stocked so that a working unit stays working.
Customer Reviews
Payment and Security
お支払い情報は安全に処理されます。 クレジットカードの詳細を保存したり、クレジットカード情報にアクセスすることはありません