The Unplugged Canvas | 2.4GHz Wireless Guitar Transmitter & Receiver System

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East Supplier PlatformSKU: 2255799965996575-Silver

Color: Silver
Price:
$82.58 $103.22

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Stock:
In stock (314 units), ready to be shipped

Description

The Cable Was Never Part of the Music.

For decades, the instrument cable has been the silent compromise at the heart of every live performance — a physical tether that turns a stage into a hazard zone and a guitarist's movement into a negotiation with physics. The Unplugged Canvas is a 2.4GHz digital wireless system that replaces that cable with a low-latency, high-fidelity radio link between your instrument and your amplifier, pedalboard, or audio interface. The transmitter plugs directly into the guitar's output jack; the receiver connects to the amp or mixer input. Between them: 24-bit uncompressed audio at a latency low enough to be imperceptible in live performance.

The 2.4GHz frequency band is chosen deliberately — it operates in the globally license-free ISM spectrum, meaning no frequency coordination, no regulatory filings, and no interference from television broadcast signals that plague UHF wireless systems. The digital protocol includes automatic frequency-hopping to avoid congestion from WiFi routers and Bluetooth devices sharing the band. In practical terms, the system finds and holds a clear channel through the entire performance, and if interference does appear, it switches channels faster than a human ear can register the transition.

Battery life is a critical variable in any wireless system, and the rechargeable lithium-ion cells in both transmitter and receiver deliver approximately 4-5 hours of continuous operation — enough for a full gig, a rehearsal, and a soundcheck from a single charge. USB-C charging means the same cable that powers your phone tops up your wireless rig between sets. The transmitter's 220-degree swivel plug accommodates Stratocaster recessed jacks, Les Paul side-mounts, and acoustic preamp outputs with equal ease — a mechanical detail that reveals whether a wireless system was designed by engineers who play, or by engineers who spec.

Freedom of movement is not a feature. It is the precondition for performance. The cable was always a compromise. Now it is a choice.


Key Features

  • 2.4GHz Digital Transmission — License-free worldwide operation, no frequency coordination required
  • 24-Bit Uncompressed Audio — Full-range frequency response without the coloration of analog wireless compression
  • Sub-5ms Latency — Latency low enough to be indistinguishable from a 10-foot instrument cable
  • Automatic Frequency Hopping — Intelligent channel selection that avoids WiFi and Bluetooth congestion in real time
  • Rechargeable Battery (4-5 Hours) — Built-in lithium-ion cells with USB-C charging on both transmitter and receiver
  • 220 Swivel Plug — Articulating transmitter jack fits recessed Stratocaster sockets, side-mount Les Paul outputs, and acoustic preamps
  • 30-Meter Range — Reliable line-of-sight transmission across stages, rehearsal rooms, and studio floors

Technical Specifications

  • Frequency Band: 2.4GHz ISM (globally license-free)
  • Audio Format: 24-bit / 48kHz uncompressed digital
  • Latency: < 5ms (equivalent to ~5 feet of cable)
  • Wireless Range: Up to 30 meters (100 feet) line-of-sight
  • Battery Life: 4-5 hours continuous use (rechargeable Li-ion)
  • Charging: USB-C (transmitter and receiver, cables included)
  • Transmitter Plug: 6.35mm (1/4 inch) TS, 220-degree swivel
  • Receiver Output: 6.35mm (1/4 inch) TS jack
  • Frequency Response: 20Hz - 20kHz
  • Compatibility: Electric guitar, bass, acoustic-electric, keyboards, any instrument with 1/4 inch output

Application Scenarios

This wireless system serves the working musician who plays stages where cable management is impractical — cramped bar corners, wedding-band dance floors, church stages with multiple instrumentalists crossing paths. Guitarists who move during performance (and the audience members who have never tripped over a cable at a show) will notice the liberation immediately. Bass players benefit equally from the full-range 20Hz-20kHz response — no low-end rolloff, no compression artifacts on the fundamental frequencies that analog wireless systems struggle to preserve. Studio musicians use the system to move freely between the control room and live room during tracking without unplugging. Multi-instrumentalists who switch between guitar and keys during a set can keep both instruments connected via separate transmitters paired to the same receiver base.


Frequently Asked Questions

Q: Is there any tone loss compared to a cable?

A: The 24-bit/48kHz digital transmission captures the full frequency range of your instrument (20Hz-20kHz) without the high-frequency rolloff that affects long cable runs due to capacitance. In blind A/B testing, most guitarists cannot distinguish the wireless signal from a high-quality 10-foot instrument cable. The system does not apply any compression or EQ — it transmits the raw signal as received at the transmitter input.

Q: Will this interfere with my WiFi or other wireless gear?

A: The system uses automatic frequency hopping to find and hold clear channels within the 2.4GHz band. It is designed to coexist with WiFi routers, Bluetooth devices, and other 2.4GHz wireless systems. In environments with extreme RF congestion (trade-show floors, stadium press boxes), multiple units can operate simultaneously — each pair automatically occupies a different channel.

Q: Can I use this with active pickups or pedals before the transmitter?

A: Yes — the transmitter input handles the full range of instrument-level signals, including high-output active pickups (EMG, Fishman) and the output of pedalboards. The input impedance is optimized for magnetic and piezo pickups alike.

Q: How do I know when the battery is low?

A: Both transmitter and receiver have LED indicators that display battery status — green for full, red for low. A low-battery warning typically provides 20-30 minutes of remaining play time, enough to finish a set and swap to a backup cable or plug in a USB-C power bank between songs.

Q: Does the transmitter fit all guitar jack types?

A: The 220-degree swivel plug accommodates the vast majority of instrument output configurations — recessed Stratocaster sockets, side-mounted Les Paul outputs, front-facing Telecaster cups, and end-pin acoustic preamp jacks. Extremely deep recessed jacks (like some Ibanez RG models) may require a short male-to-female extension cable.

Q: Can multiple systems operate in the same venue?

A: Yes — each transmitter-receiver pair creates its own digital connection on an independent frequency-hopping channel. Up to 6 systems can operate simultaneously in the same space. Pairing is one-button and takes approximately 2 seconds.

Q: Is this suitable for bass guitar?

A: Absolutely. The 20Hz-20kHz frequency response preserves the sub-bass fundamentals (low E on a 4-string bass is approximately 41Hz; low B on a 5-string is approximately 31Hz) that analog wireless systems often roll off. Bass players report no loss of low-end presence compared to a cable.


Customer Reviews

Customer Reviews

Based on 3 reviews
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Andre R.
Works great, just mind the line-of-sight requirement

Solid wireless system for the price point. I use it for church services where I move between an acoustic and electric guitar during the set — having both transmitters paired to the same receiver base is incredibly convenient. Sound quality is transparent to my ears through a Helix floor processor. The only reason for 4 stars instead of 5: the 2.4GHz signal does not penetrate my body well, so if I turn my back to the receiver with the guitar body between the transmitter and the receiver rack, I get occasional micro-dropouts. Positioning the receiver higher (on top of the amp instead of on the floor) completely eliminated this. Range is solid at 20-25 meters in open space, which covers any stage I have played.

K
Kim J.
Best wireless system for bass under $100

Bass players: this handles the low B on my 5-string (31Hz fundamental) without any of the low-end rolloff that plagues cheaper analog wireless units. The 24-bit digital transmission preserves the full frequency spectrum. I have used it in rehearsals and two outdoor gigs — the automatic frequency hopping handled a venue with dense 2.4GHz congestion (audience WiFi, stage lighting controllers, in-ear monitor systems) without a single dropout. The transmitter is light enough that it does not feel like it is stressing my bass''s output jack, which was a concern with heavier units I have tried. Battery easily covered a 3-hour rehearsal plus warmup. USB-C charging is fast — about 45 minutes for a full charge.

T
Tyler G.
No tone loss, no latency, no cables — game changer

Been gigging with this wireless system for 3 months now across maybe a dozen shows, from small bars to a 500-cap venue. The audio quality genuinely surprised me — there is no compression, no high-end rolloff that I can hear, and the latency is low enough that I forget I''m wireless within 5 minutes of plugging in. I play a Strat with single coils into a tube amp, so any tone coloration is immediately obvious, and this system is transparent. The USB-C rechargeable batteries last a full 4-hour gig + soundcheck with charge to spare. The swivel plug fits the recessed Strat jack perfectly. At this price, every gigging guitarist should own one.

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